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In lieu of an abstract, here is a brief excerpt of the content: Friendship and Postwar American Poetry. Oxford and New York: Oxford University Press, From O'Hara's death on, friends, lovers, critics, and scholars have all helped to contribute to the myth that the poet actually achieved the proliferated intimacies Rivers describes—that, in O'Hara's words, he managed to be "everything to everybody everywhere" qtd.
Epstein's skepticism, bred of a much more sophisticated understanding of the relationship between O'Hara's poems and friendship "as subject matter, biographical factor, philosophical riddle, or textual consideration" 87offers a sobering, and deeply humanizing, alternative to what [End Page ] Rivers himself warned would be a tendency to "deify" the man many consider the timelessly vital center of the multigenre, multigenerational explosion in the New York art world of the fifties, sixties, and seventies.
Against the prevailing image of O'Hara as a radiantly charming, if sometimes bristly, cultural socialite, Epstein posits an intellectual deeply ambivalent about intimacy in relation to individual autonomy, dependent upon but forever turning away from the scores of people who counted him as their "best" friend.
Epstein's revision of O'Hara is emblematic of the bracingly corrective and inspiring nature of Beautiful Enemies as a whole. Epstein's book doesn't seek to be encyclopedic—his main focus is the poetry and interlocking friendships of O'Hara, John Ashbery, and Amiri Baraka, examined through the lens of Emersonian pragmatism—but his sharply faceted readings set in motion a feeling of kaleidoscopic possibility, of shifting scholarly configurations yet to be explored.
Among other contributions, Beautiful Enemies enters the emergent field of social poetics as a useful curb to purely celebratory treatments of postwar avant-garde poetry as a site of "community formation," reads an O'Hara now truly popular for his friendly occasional poetry against that grain, and makes the case for Baraka's centrality to the so-called New York school in a way that both challenges the group labels we've been using since Donald Allen's New American Poetry and provides a tantalizing lure to return to Baraka's oft-overshadowed early career.
Although it is not the first recent work to explore the connections between pragmatism and postwar American poetry, Epstein's book does so with the combination of intellectual lucidity and psychological affinity that, one imagines, helps to inspire the relationship between philosophy and art—and philosophers and artists—to begin with.
While not in a completely linear trajectory, contemporary poetry scholarship has evolved, over the last three decades, from a primary focus on lyric subjectivity, through identity-oriented and historicist accounts of the work of various groups, to studies that, as Epstein puts it, "look more closely, analytically, and sociologically at the importance of community," particularly for postwar avant-garde and experimental poetry 7.
While useful as an umbrella term for the range of activities and institutions through which poets share work and build careers and canonicity, "community" has not been [End Page ] sufficiently theorized from the inside.
Solidarity is an obvious necessity among groups of poets who operate outside of establishment institutions. Most commentary on avant-garde community has been concerned with defining and celebrating the radical position of a given collective—the fixity of whose identity is more often a product of scholarly exigency than actual affinities—within the large-scale field of If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
You are not currently authenticated. View freely available titles:--Stuart and Linda Macfarlane-- The Love Between Friends, a Helen Exley gift book Friends, some are just acquaintances, others I truly care about.
A select few of my friends have become like brothers and sisters. word essay on the importance of accountability in the army Free Essays on Word Essay On Accountability Responsibility for students. Accountability in the army is important because soldiers as well as equipment, ammunition, food, water and other various Words on Accountability.
The Relationship Between Friends And Types Of Friendship Philosophy Essay. Print Reference this. Published: 23rd March, there are two distinct types of love. Platonic love is a deep and non-romantic connection or friendship between two individuals.
It is love where the sexual element does not enter. Romance: considered similar to . Since the day of his diagnosis, friends, lovers, family, comrades, and a legion of concerned people have refracted back onto Fred the love, joy, and will to live and fight that has marked every day.
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--Stuart and Linda Macfarlane-- The Love Between Friends, a Helen Exley gift book Friends, some are just acquaintances, others I truly care about. A select few of my friends have become like brothers and sisters. The first kind of love explored in the play is that of romantic love between young lovers who are attracted to each other. unrequited love, the love between parent and child and the love between friends. These various forms of love have been emphatically depicted in Shakespeare’s tale. may never know peace again after an old rivalry. Essay about Concept of Love; Essay about Concept of Love. Words Oct 13th, 3 Pages. How is it possible to distinguish between the love of romance and the love shared between friends? CULTURE AND POSTCODE RIVALRY IN INNER CITY LONDON Community has been described and interpreted in different ways. It has .
Puck shows a disregard for the true feelings of the young lovers so long as it is entertaining to him. In conclusion, A Midsummer Night’s Dream, contains two fools who are able to share insight into life and love throughout the play. Rivalry Between Friends.